Prod lift Placement
M o ta w i
T ilew orks
In 1988 Nawal Motawi, the
owner of Motawi Tileworks in
Ann Arbor, m i, took a tile pro-
duction job at the legendary
Pewabic Pottery in Detroit.
Motawi, who studied ceramics
at the University of Michigan,
was trying to “find my way,”
she says. She found inspiration
at Pew'abic, where she fell in
love with the pottery’s Arts and
Crafts-style works.
In 1992 Motawi struck out
on her own and in a 600-square-
foot garage began creating the
historically informed tile designs
© that reflect the work of Pew-
abic, Grueby, Rookvvood, the
Roycrofters, Ernest Batchelder
and William De Morgan, as well
as the architecture of Louis Sul-
livan and Frank Lloyd Wright.
In 1993 her brother Karim,
just graduated from Michigan,
joined her. “Karim was at the
beginning of his finding-his-
way period,” Motawi explains.
“He started helping me, and I
asked him if he would work for
me. He replied that he would
not work for me but that he
would work with me.”
It was a struggle in the begin-
ning. “Who knows the depths
of their own ignorance when
they start out?” Motawi says.
“The biggest challenge was one
I understood from the begin-
ning-! didn’t know who my
customers would be, where to
find them or what a tile business
without 90 years of history be-
hind it looked like.”
After nearly a year of show-
ing at a local farmers market, the
company had a breakthrough.
“I was sort of holding my breath
as I asked my first fireplace cli-
ent for a $250 non-refundable
design fee,” Motawi reflects.
“She said, ‘Okay!’ I designed it,
Karim pressed it, I glazed it
and I still like it.” When the
customer’s neighbors saw the
fireplace, they soon became
clients. “We were on our way!”
Motawi says.
Drawing from the different
Arts and Crafts styles, Motawi
has worked closely with her
team to develop a striking com-
bination of color and design that
reflects her own sensibilities.
This can be seen in the com-
pany’s two distinct decorative
formats—the relief tiles that
have a sculptural quality in low-
relief and are colored with a
single glaze and the polychrome
tiles that have many colors sepa-
rated by tiny ridges of clay,
a mosaic-like effect.
“I am very fussy about the
tile designs. I will keep working
a visual idea until I get it right,”
Motawi says. “Sometimes I’ll
think something isn’t great, but
the employees love it. When I’m
the only one who loves a design,
I know it’s time to scrap it.”
Motawi Tileworks has now
evolved into a 30-employee
business that creates custom-
designed residential installa-
tions©, sells tile through galler-
ies and showrooms, and makes
one-of-a-kind murals for public
and private buildings. Things
continue to change; Karim has
decided to leave, so Nawal has
the extremely challenging but
exciting job of being solely re-
sponsible for the company. She
is well prepared to take on any
bumps in the road. Remaining
focused on her mission of ex-
ploring new design while hon-
oring the past has been the key
to Motawi’s success. “Realistic
reproduction doesn’t interest
me,” she says. “Art allows you
to see things through a different
lens. Part of what my tile art-
work does is present and accen-
tuate a motif in such a way as to
show off its inherent loveliness.
It’s vital that at least some of
our work is functional. Per the
old axiom: I feel it’s important
to produce things that are either
useful or beautiful, and ideally
both.”—
s.s.
Arts & Crafts Potteries
A few potteries have survivedfrom
the turn o f the 20th century, or been
revived recently. Among those ex-
tant are Moravian Pottery and
Tile Works in Doylestown,
P A ,
aiul Pewabic Pottery. In addition,
ceramics in the style o f the now-
defunct Rookwood, Grueby and
Gates (Teco) potteries are being
made by various businesses— many
o f them also producing original
desigtis: Tile Restoration Center,
Seattle; Mission Guild Studio,
Mount Vision,
N T ;
Pruckler Ce-
ramic Design, Femdale,
M l;
North
Prairie Tileworks, Minneapolis;
Prairie Arts, Lisle, IL.
Hot Spots
B e k o f
Show s
Gallery shows, listed A -Z by
state. View complete calendar:
americancraftmag.org
AL / Troy
Troy University
25th Annual Alabama Clay
Conference
Feb. 19-21
alclayconference.org
Sponsored by the Alabama
Craft Council, the conference
considers the present and future
place of ceramics as well as the
role of artists and advocates
through informative presenta-
tions and inspiring exhibitions.
A Z / Phoenix
Heard Museum
52nd Annual Heard Museum
Guild Indian Fair &“ Market
Mar. 6-7
heardguild.org/indian-fai r/
indian-fair.aspx
Combining innovation with
Native American tradition, this
popular event includes an array
of work and demonstrations by
more than 700 top American
Indian artists, including ac-
claimed elders.
www.journal-plaza.net & www.freedowns.net
fcb/mario american craft 013
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